Prey

Amber Midthunder stars in Prey, a standalone prequel to the 1987 classic Predator, as “Naru,” a First Nations hunter who faces off with a Predator invader.

They started in the back of the room and moved stealthily through until they got all the way to the front towards me. “We created with Kevin a Native tactical sign language,” explains Myers. “Even in their off time [the cast] would go down the river and use it to talk to each other. In the middle of the conversation, the entire tribe shot up and had bows and arrows pointed at me. “I walked over after the first take and said, ‘Maybe do a little shh.’ We do a take and it was awesome. I turned to the DP [director of photography] next to me and I was like, ‘This feels familiar. In the middle of Prey, a “mud pit sequence” mirrors another scene from Predator which Trachtenberg says was an unintentional parallel. “We created a sign language,” Midthunder says. “That's what links them, on top of the obvious things we sought after to include in the movie.” Producer Jhane Myers, a Comanche and Blackfeet American film and TV producer, says the production worked with Kevin Starblanket, a First Nations individual with a background in military, law enforcement, and survival tactics. We had it on a hard drive and dissected certain points and took a lot of inspiration from it.” Naru is eager to prove her worth as a hunter for her village despite the sexist assumption that a young woman can’t assume such a role in her community. Naru is a total badass in her own right as she studies the Predator’s advanced tools and uses them to fight back against her adversary.

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Midthunder “really enjoyed that experience” and hopes to do more in the future. She and director Dan Trachtenberg figured out a trick by tying a rope to it (so Naru can throw the axe, pull it back quickly and then toss it again) and from there “it was just honestly a lot of experimenting,” she says. “How many times can you throw it up in the air and twist it? “Prey” filmed on Stoney Nakoda land near Calgary, with a primarily Native American and First Nation cast, and placed a spotlight on Comanche lifestyle and history. A bear attack on Naru meant performing with a stuntman in “a not particularly great bear suit,” Midthunder says. “I always have intentions in that realm of things when I'm working, but they're not necessarily everybody's focus.”

The Predator series goes back in time and back to its roots for an old-fashioned monster hunt in the gripping Prey.

Prey is a modest sci-fi action thriller, a return as we said in many ways to the series’ simple roots, and largely successful on its own terms as a result. While the film is in English with a few Comanche words here and there, the young actors make no attempt at all to sound like humans from an earlier era; much of the dialogue is delivered as if they’re twentysomethings living in 2022 who are doing some cosplay in the woods. There’s been some grumbling among fans about the fact that 20th Century Studios (a subsidiary of Disney) has chosen to premiere this film on Hulu rather than as a theatrical release like every previous Predator movie. For one thing, Prey takes the franchise back to nature, in this case a forest and plains, which is where it belongs. Prey is the fifth installment in the Predator franchise (and seventh if you count the two Alien vs. The protagonist is a young woman named Naru (Amber Midthunder), a highly proficient tracker and hunter who is nevertheless dismissed by the male members of her tribe, including her own brother (Dakota Beavers), especially when she warns that the threat they face is much more dangerous than a lion or other wild animal.

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Prey apparently overwrites the events of the 1996 comic Predator: 1718, in which one of the aliens teams up with a pirate captain to battle his mutinous crew. After the human triumphs, a bunch of other Predators decloak and seem ready to murder him. The final image pans to show a Predator ship coming out of storm clouds over Naru's camp, implying that the aliens attacked again. It mirrors the sequence in which her brother Taabe ( Dakota Beavers) did so with the lion earlier in the movie, after she failed to. Having seen her fellow Comanche Nation warriors and the deeply unpleasant French poachers slaughtered by the Predator, Naru lures the beast into a trap in the dark forest. It pits one of the alien hunters against Comanche Nation tribespeople like Naru ( Amber Midthunder), and it's absolutely excellent.

As a movie villain, the Predator has pretty basic motivations. He's an alien who comes to Earth to hunt for fun with some cool gadgets.

She’s an anti-Arnold in the best way, the kind of heroine who knows she can be underestimated and uses that to her advantage. “This movie resets a whole lot of paradigms, and one of them is the language component,” Myers told ComicBook.com in an interview. No one—including her brother (Dakota Beavers)—believes her, so she heads out with her loyal pup Sarii (a Very Good Dog) to take down the Predator on her own, and achieve what is called Ku̵htaamia, a rite of passage where a hunter is celebrated for besting a large beast. Predator spinoffs, and then rebooted twice with 2010’s Predators and 2018’s The Predator. The latter film—directed by Shane Black, who appeared in 1987’s Predator—was clearly designed to produce sequels that never actually came to fruition after controversy, bad reviews, and a mild box-office take. The Predator first started prowling in the 1987 film directed by John McTiernan and starring, of course, Arnold Schwarzenegger. The bulky Austrian action star plays Dutch, a commando who is part of a team dispatched in an unidentified but coded as Central American jungle to handle a Communist insurgency that goes awry when, surprise, there’s an alien on the loose, skinning people alive and murdering for fun. It’s an archetypal narrative—almost Disney Princess-esque—thrown onto a Predator movie with all the green goo and ridiculous kills that entails.

The 'Raphael Adolini 1715' pistol at the end of 'Prey' was once held by Danny Glover in the final moments of 'Predator 2.'

How did a Spanish pirate’s pistol end up in the hands of French hunters in America? Prey makes it clear that none of the Frenchmen had ever encountered a creature like the Predator before. If Adolini indeed gave the weapon to a Predator himself in this continuity, did that same Predator have another, later encounter with (possibly non-French) humans and lose it? The weapon’s backstory was fleshed out in the 1996 anniversary anthology issue A Decade of Dark Horse #1, in the story “Predator: 1718” by Henry Gilroy and Igor Kordey. The tale opens on Spanish pirate Captain Raphael Adolini, whose crew mutinies against him when he seeks to return stolen gold to the church for which it had been destined. It isn’t until the very end of the film that we glimpse our first and only real Easter egg: a flintlock pistol engraved with the words Raphael Adolini 1715, hinting at an entire potential timeline leading up to 1990’s Predator 2. Aboard their spaceship, just before they fly off, one of them throws the pistol to LAPD Lieutenant Mike Harrigan, played by Danny Glover, perhaps as a sign of respect. During her escape, she finds a pistol which she’s taught to use by one of the injured hunters.

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Naru becomes invisible to the Predator when she ingests the orange flower because the flower reduces her body temperature. Since Naru and her mother use a local name, "orange tutsia," to describe the flower, it is hard to determine whether it is real or only exists in Prey's universe. However, Naru later capitalizes on her sharp wit and survival instincts and deduces a perfect plan to overpower the fortress-like creature.

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The same could very well have happened here, with the elders giving the Predators the pistol as a sign of respect instead, as why would they want to keep the gun given to them by colonizers? The Predator being given the gun by Adolini is all fine and good, but the problem is that there is no way that this origin for the gun can be possible now. When taking the comic into account, it's pretty implausible how Waxed Mustache was able to have the gun in the first place to give to Naru. As one may recall, that movie took place over two centuries after the events of the comic in the "futuristic" war zone of 1997 Los Angeles. He dies of the gunshot wound and gives the Predator his engraved gun as a sign of respect. However, it isn't long before the Predator returns to the French campsite, killing Waxed Mustache and leaving Naru with the gun.

Predator prequel Prey features the creature's first visit to Earth — and a surprising tie-in to the original films.

And as for the connection to the Predator mythology at large...well, that's revealed during Naru's encounter with the fur trappers. With the pistol now appearing in Prey, it's a clever way for Trachtenberg to pay homage to the previous Predator films while also staying true to the film's time period. If Trachtenberg and screenwriter Patrick Aison return for a sequel with Midthunder, the idea of Naru having to fend off multiple Predators could definitely make for great sequel fodder. Victorious, Naru returns to her tribe with the Predator's head and is made the war chief. Despite Naru's efforts to warn them, the members of her tribe fall to the Predator's superior weaponry. This has led to critical acclaim, and is extremely fitting given that this year marks the 35th anniversary of the original Predator film.

This article contains Prey spoilers. Who knew the secret to the Predator franchise's future was to always go back in time?

In essence, the animated sequence suggests that Naru’s victory over the Predator became the stuff of legend and oral tradition: a story that was passed down from one generation to the next, including eventually on ledger paper. And given how the lone Predator in Prey can be viewed as a metaphor for European incursions into this land… At most, we’ve reached a kind of intermission before the real test comes when the Predators return to Comanche lands in force. This weekend’s Prey is the culmination of years of passion, and years of planning, from the filmmaker who wrested the Predator movies away from their recent and failed experiments of franchise-building in the future. The “post-credits scene” in Prey is technically neither after the credits or a full scene. however there is more to the story if you paid close attention to the end credits…

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The director puts his faith in a relative newcomer to shoulder the movie. At every increasing moment of this journey, Naru experiences a change in front of the camera, and it’s not just talked about in passing. Naru (Amber Midthunder) is a Comanche woman who aims to become a warrior by embarking on the “kühtaamia,” a rite of passage ritual where the hunter hunts the hunter who hunts them.

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And that is an ominous sign for the Comanche who have it at the end of Prey. This means that another Predator visits the Great Plains where Naru’s tribe is located at some point in the future. The pistol proves a vital tool in Naru’s fight against the Predator, and when she returns victorious, she gives it to the former war chief of her settlement. But once you stop to think about it a little bit more…this has some seriously dark implications for the future of Naru and her companions. During the course of her adventure, she and her brother Taabe (Dakota Beavers) run afoul of poachers in the wilderness. While Prey is a groundbreaking film that keeps viewers on their toes, it still adheres to the structure of most Predator movies: the Predator (Dane DiLiegro) kills a lot of people until only Naru remains to face it on her own.

For a striking film like Prey, a highly anticipated entry in the Predator series, to be relegated to streaming is a grave disservice to cinema.

The closer and closer the film was to its release, the more strange of a decision this became. While it certainly seems like Prey will thankfully get some sort of physical release later this year, it is hard to shake the feeling of how quickly this could change if a streaming service decided to prohibit that. While you should absolutely still take in the viciously vibrant experience of Prey, its lackluster release serves as the most present and profound example of why solely streaming is not the best path forward. While this is by no means the first time that something like this has happened in the streaming age, there still is the unshakeable feeling that this was a missed opportunity. Lean and mean with a sharp eye for striking visuals, it is a genuinely outstanding work that demands to be seen on the biggest canvas possible. It features a riveting performance from Amber Midthunder as Naru, a resourceful hunter who is seeking to somehow track down the infamous Predator and kill it.